Frankenstein production
Circulated by StonyRoad in 2021
All circulating versions of the tracks used for “Emotional Rescue” and the sessions from this era in two versions: one with the untouched tracks and another one with DIY... All the versions that were used for official releases were left out.
VOLUME 1
PART I: THE TRACKS FROM THE ORIGINAL ALBUM
01 – DANCE (Pt.1)
10th June-7th July & late July-25th August & 12th September-19th October 1979:
01a – Dance #1
01b – Dance #1 (reworked) slight noise reduction
02a – Dance #2 early lyrics
02b – Dance #2 (reworked) accelerated by 1,1%
03a – Dance #3 early lyrics, with count-in
03b – Dance #3 (reworked) accelerated by 1,1% 04a – Dance #4 early lyrics with count-in
04b – Dance #4 (reworked) accelerated by 1,55% Early November – December 1979 & probably January 1980:
05a – Dance #5 mix of Dance Pt. 1 and If I Was A Dancer
05a – Dance #5 (reworked) decelerated by -0,65%
02 – SUMMER ROMANCE
26th August-6th September 1978:
06a – Summer Romance #3 count- in, first verse «…you’re be back in class»
06b – Summer Romance #3 (reworked) decelerated by -2,85%,
10th June-7th July & late July-25th August & 12th September-19th October 1979:
07a – Summer Romance #4 more finished lyrics than #3
07b – Summer Romance #4 (reworked) a little noise at the end deleted 08a – Summer Romance #5 different vocal, one less guitar but w. piano
08b – Summer Romance #5 (reworked) decelerated by -1,25%, equalized 09a – Summer Romance #6 finished lyrics, plus bvoc; long version of #7
09b – Summer Romance #6 (reworked) decelerated by -0,14%, equalized
03 – SEND IT TO ME
10th June-7th July & late July-25th August & 12th September-19th October 1979: 10a - Send It To Me #1 long version with vocals
10b - Send It To Me #1 (reworked) accelerated by +1,1%
04 – LET ME GO
10th June-7th July & late July-25th August & 12th September-19th October 1979: 11a - Let Me Go #1 without sax
11b - Let Me Go #1 (reworked) decelerated by -0,3%, added the count-in
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VOLUME 2
PART I: THE TRACKS FROM THE ORIGINAL ALBUM
05 – INDIAN GIRL
Early November-December 1979 & probably January 1980: 12a - Indian Girl #2 long version of #5
12b - Indian Girl #2 (reworked) accelerated by + 0,6% 13a - Indian Girl #3 short version with less horn overdubs
13b - Indian Girl #3 (reworked) accelerated by 0,6%
14a - Indian Girl #4 same as #5 but with a slightly different intro
14b - Indian Girl #4 (reworked) accelerated by 0,85%
06 – WHERE THE BOYS GO
26th August-6th September 1978: 15a - Where The Boys Go #1 early lyrics
15b - Where The Boys Go #1 (reworked) duplicated, noise reduction 16a - Where The Boys Go #2 early lyrics
16b - Where The Boys Go #2 (reworked) duplicated, noise reduction
17a - Where The Boys Go #3 incomplete with more piano
17b - Where The Boys Go #3 (reworked) duplicated, noise reduction
10th June-7th July & late July-25th August & 12th September-19th October 1979:
18a - Where The Boys Go #4 1st version with proper intro
18b - Where The Boys Go #4 (reworked) 19a - Where The Boys Go #5 different lead vocals, no female choir, longer solo 19b - Where The Boys Go #5 (reworked) decelerated by -0,45%
07 – DOWN IN THE HOLE
10th June-7th July & late July-25th August & 12th September-19th October 1979: 20a - Down In The Hole #1 early version with partially different lyrics
20b - Down In The Hole #1 (reworked)
08 – EMOTIONAL RESCUE
10th June-7th July & late July-25th August & 12th September-19th October 1979: 21a - Emotional Rescue #2 long version
21b - Emotional Rescue #2 (reworked) decelerated by -0,49%, channel rebalancing
Early November–December 1979 & probably January 1980: 22a - Emotional Rescue #8 edit with more instruments and echo effects
22b - Emotional Rescue #8 (reworked) decelerated by -0,85%
09 – SHE’S SO COLD
22nd January-12th February 1979:
23a - She’s So Cold #1 early version with guide vocals/different lyrics
23b - She’s So Cold #1 (reworked) decelerated by -0,75%
10 – ALL ABOUT YOU
Early November-December 1979 & probably January 1980: 24a - All About You #2 with guide vocals by KR and backing vocals by MJ
24b - All About You #2 (reworked) accelerated by 0,4%, slight noise reduction
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VOLUME 3
PART II: THE OTHER TRACKS FROM THE AUGUST/SEPTEMBER 1978 SESSIONS
11 – BACK IN THE USA
25a - Back In The USA a Chuck Berry song
25b - Back In The USA (reworked) channel rebalancing
12 – BLUES WITH A FEELING
26a - Blues With A Feeling a Rabon Tarrant song
26b - Blues With A Feeling (reworked) channel rebalancing
13 – I AIN’T SUPERSTITIOUS
27a - I Ain't Superstitious a Willie Dixon song
27b - I Ain't Superstitious (reworked) channel rebalancing
14 – I’LL LET YOU KNOW
28a - I'll Let You Know #1 instrumental, piano intro
28b - I'll Let You Know #1 (reworked) 29a - I'll Let You Know #2 instrumental, guitar intro
29b - I'll Let You Know #2 (reworked) slight noise reduction
15 – KNEE TREMBLER
30a - Knee Trembler instrumental, Bobby Keys on sax; MJ, KR & BW not present
30b - Knee Trembler (reworked) slight noise reduction
16 – JIMMY REED JAM
31a - "Jimmy Reed Jam" instrumental blues jam
31b - "Jimmy Reed Jam" (reworked) slight noise reduction
17 – MY FIRST PLEA
32a - My First Plea #1 no piano in the intro, honky tonk in the middle, no comment in the end
32b - My First Plea #1 (reworked) channel equilibration
33a - My First Plea #2 take 13: piano in the intro, strong honky tonk in the middle, no comment in the end
33b - My First Plea #2 (reworked) slight noise reduction
34a - My First Plea #3 no piano in the intro, slowed version
34b - My First Plea #3 (reworked) more high tone and slight noise reduction
35a - My First Plea #4 take 15: no piano, honky tonk in the middle
35b - My First Plea #4 (reworked): noise deleted at 2’25
36a - My First Plea #5 take 32
36b - My First Plea #5 (reworked), slight noise reduction
37a - My First Plea #6 take 33
37a - My First Plea #6 (reworked) channels equilibrated
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VOLUME 4
PART II: THE OTHER TRACKS FROM THE AUGUST/SEPTEMBER 1978 SESSIONS
18 – NOT THE WAY TO GO
38a - Not The Way To Go #1 long version with lyrics
38b - Not The Way To Go #1 (reworked) slight noise reduction
39a1 - Not The Way To Go #2 instrumental
39b1 - Not The Way To Go #2 (midnrambler)
39a2 - Not The Way To Go #3 shorter, more worked-out version
39b2 - Not The Way To Go #3 (reworked) restoration of the altered 10 seconds segment at 5’40
19 – ONE NIGHT
40a - One Night a Dave Bartholomew & Pearl King song
40b - One Night (reworked) slight noise reduction
20 – SERIOUS LOVE
41a - Serious Love an Alvin Ranglin song
41b - Serious Love (reworked) mix from 3 sources
21 – THE HARDER THEY COME
42a - The Harder They Come #2 a Jimmy Cliff song, MJ on backing vocals
42b - The Harder They Come #2 (reworked)
22 – WHAT AM I LIVING FOR
43a - What Am I Living For #1 with organ start and long ending 43b - What Am I Living For #1 (reworked)
44a - What Am I Living For #2 with guitar start and short ending
44b - What Am I Living For #2 (reworked)
23 – WHAT GIVES YOU THE RIGHT
45a - What Gives You The Right #1 few lyrics and MJ guide vocal
45b - What Gives You The Right #1 (reworked) accelerated by 0,9%
46a - What Gives You The Right #2 more vocals but still few lyrics
46a - What Gives You The Right #2 (reworked) accelerated by 1,65%
47a - What Gives You The Right #3 more elaborated lyrics
47b - What Gives You The Right #3 (reworked) accelerated by 0,9%
24 – YOUR ANGEL STEPS OUT OF HEAVEN
48a - Your Angel Steps Out Of Heaven a Jack ripley song
48b - Your Angel Steps Out Of Heaven (reworked)
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VOLUME 5
PART III: THE OTHER TRACKS FROM THE JANUARY/FEBRUARY 1979 SESSIONS
25 – BLUES JAM
49a - Blues jam #1 instrumental (slow)
49b - Blues jam #1 (reworked) 50a - Blues jam #2 instrumental (fast)
50b - Blues jam #2 (reworked) channel equilibration (+20% to the right channel)
26 – BREAK AWAY
51a - Break Away aka «Chain-reaction-groove» with barely audible guide vocals
51b - Break Away (reworked)
27 – DANCING GIRLS
52a - Dancing Girls uses Brown Leaves-riff in the verses
52b - Dancing Girls (reworked) mix after accelerating by +3,305%
28 – GANGSTER’S MOLL
53a - Gangster's Moll aka «Gangster’s Maul»
53b - Gangster's Moll (reworked) mix after accelerating by +0,3125%
29 – GUITAR LESSON
54a - Guitar Lesson instrumental
54b - Guitar Lesson ((reworked) first 3 seconds from DAC 105
54c - Guitar Lesson (reworked) mix of DAC on left channel & GS5
30 – I THINK I’M GOING MAD
55a - I Think I’m Going Mad #1 no sax, some falsetto vocals
55b - I Think I’m Going Mad #1 (reworked) channel equilibrated
56a - I Think I’m Going Mad #2 with sax in the intro and piano coming in later
56b - I Think I’m Going Mad #2 (reworked) accelerated by 0,25% 57a - I Think I’m Going Mad #3 with sax in the intro and piano coming in early
57b - I Think I’m Going Mad #3 (reworked) 58a - I Think I’m Going Mad #4 shorter, with sax and piano coming later
58b - I Think I’m Going Mad #4 (reworked) accelerated by + 0,125%
31 – IT’S COLD DOWN THERE
59a - It’s Cold Down There #1 instrumental a/k/a «Follow You»
59b - It’s Cold Down There #1 (reworked) decelerated by -15,263%
60a - It’s Cold Down There #2
60b - It’s Cold Down There #2 (reworked) decelerated by -3,863%
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VOLUME 6
PART III: The other tracks from the January/February 1979 sessions:
Volume 6:
32 – LET’S GO STEADY AGAIN
61a - Let’s Go Steady Again #1 A James A. Alexander song with Kristi Kimsey on backing vocals (a/k/a « Let’s Go Steady »)
61b - Let’s Go Steady Again #1 (reworked) mix DAC & ACT accelerated by 1,045%
62a - Let’s Go Steady Again #2 Kristi Kimsey on backing vocals, alternate mix
62b - Let’s Go Steady Again #2 (reworked) decelerated by -0,18% and amplified
33 – LINDA LU
63a1 - Linda Lu A Ray Sharpe song (a/k/a «Linda Lou») with better speed but incomplete (long fade in/out)
64a2 - Linda Lu same take, more complete then 64a1
64b21 - Linda Lu (reworked) DAC version decelerated by -2,825%
64b2a - Linda Lu (reworked) mix of IU and DAC 103 after deceleration by -2,825%
34 – LONELY AT THE TOP
65a - Lonely At The Top
65b - Lonely At The Top (reworked) channels rebalancing
65c - Lonely At The Top (reworked) mix of GS 5 and DAC (left channel)
35 – MUNICH HILTON
66a - Munich Hilton #6 version with vocals
66b - Munich Hilton #6 (reworked) mix of DAC 096 and RYF accelerated by +0,548%
36 – NEVER TOO INTO
67a - Never Too Into
67b - Never Too Into (reworked) channel rebalanced
37 – PIANO INSTRUMENTAL
68a - Piano instrumental a/k/a «Feel No Pain No More»
68b - Piano instrumental (reworked)
38 – RECONSIDER BABY/SWEET HOME CHICAGO
69a - Reconsider Baby/Sweet Home Chicago A mix of Robert Johnson and Lowell Fulson songs
69b - Reconsider Baby/Sweet Home Chicago (reworked)
39 – STILL IN LOVE
70a - Still In Love #1 with falsetto vocals
70b - Still In Love #1 (reworked)
40 – WHAT’S THE MATTER
71a - What’s The Matter
71b - What’s The Matter (reworked)
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VOLUME 7
PART IV: THE OTHER TRACKS FROM THE JUNE/OCTOBER 1979 SESSIONS
41 – IT’S A LIE
72a - It's A Lie #1 with harmonica
72a - It's A Lie #1 (reworked) decelerated by -0,5% 73a - It's A Lie #2 with drums intro
73b - It's A Lie #2 (reworked) partial restoration of the fade out.
42 – JAH IS NOT DEAD
74a - Jah Is Not Dead Max Romeo sharing vocals, Boz Scaggs on backing vocals and guitar
74b - Jah Is Not Dead (reworked)
43 – JAMS
75a - Unknown Jam #1 instrumental with three guitars, a/k/a «Stuck In The Cold»
75b - Unknown Jam #1 (reworked) channel requilibration and sound amplification
76a - Unknown Jam #2 rocking instrumental, with Bobby Keys on sax
76b - Unknown Jam #2 (reworked) channel requilibration and sound amplification
77a - Unknown Jam #3 funky instrumental, with Bobby Keys on sax 77b - Unknown Jam #3 (reworked) channel requilibration and sound amplification
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VOLUME 8
THE SESSIONS FOR THE TRACKS LATER USED IN “TATTOO YOU” OR “SOME GIRLS”
A] The tracks used later for TATTOO YOU:
44 - HANG FIRE
10th June-7th July & late July-25th August & 12th September-19th October 1979: 78a - Hang Fire #4 no piano, no backing vocals 78b - Hang Fire #4 (reworked) decelerated by -0,436% 79a - Hang Fire #5 first version with ‘doodoodoo’-chorus but no piano 79b - Hang Fire #5 (reworked) accelerated by +0,265 80a - Hang Fire #6 with piano added on version V 80b - Hang Fire #6 decelerated by -0,087%
45 – HEAVEN
10th June-7th July & late July-25th August & 12th September-19th October 1979: 81a - Heaven #1 early version with guide vocals 81b - Heaven #1 (reworked)
46 - LITTLE T & A
22nd January-12th February 1979: Nassau, Bahamas, Compass Point Studios. 82a - Little T&A #2 instrumental 82b - Little T&A #2 (reworked) decelerated by 9,5%! 83a - Little T&A #3 early lyrics 83b - Little T&A #3 (reworked) accelerated by 0,20%
47 - NEIGHBOURS
10th June-7th July & late July-25th August & 12th September-19th October 1979: 84a - Neighbors #1 early version with guide vocals 84b - Neighbors #1 (reworked) decelerated by -0,740%
48 - NO USE IN CRYING
10th June-7th July & late July-25th August & 12th September-19th October1979: 85a - No Use In Crying #1 shorter early version 85b - No Use In Crying #1 (reworked) 86a - No Use In Crying #2 (Tattoo Too - Rattlesnake) - longer early version 86b - No Use In Crying #2 (reworked) 87a - No Use In Crying #3 (Tattoo Too)- similar to #2, but organ sets in earlier 87a - No Use In Crying #3 (reworked) accelerated by +0,3% 88a - No Use In Crying #4a edit of early version 88b - No Use In Crying #4a (reworked) decelerated by -0,21% 89a - No Use In Crying #4b different voices in the second part 89b - No Use In Crying #4b (reworked) accelerated by +0,144%
B] The tracks used later for SOME GIRLS Deluxe Edition:
49 - WE HAD IT ALL
10th June-7th July & late July-25th August & 12th September-19th October 1979 90a - We Had It All #1 without harmonica
90b - We Had It All #1 (reworked) accelerated by +0,380% 91a - We Had It All #2 version I with harmonica
91b - We Had It All #2 (reworked) decelerated by -2,95%
92a - We Had It All #3 more progressed version
92b - We Had It All #3 (reworked) accelerated by +0,620
50 - THALLAHASSEE LASSIE
26th August-6th September 1978
93a - Tallahassee Lassie #1
93b - Tallahassee Lassie #1 (reworked) decelerated by -1,85%
C] BONUS
22nd January-12th February 1979: Nassau, Bahamas, Compass Point Studios. 94a - Let’s Go Steady Again #2 alternate mix of #1, Kristi Kimsey on backing vocals more separated
94b - Let’s Go Steady Again #2 (reworked) channels rebalanced
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